Being moved by art: A phenomenlogical and pragmatist dialogue

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Being moved by art : A phenomenlogical and pragmatist dialogue. / Høffding, Simon; Vara Sanchez , Carlos; Roald, Tone.

In: Estetika: The European Journal of Aesthetics, Vol. 2, 2022, p. 85-102.

Research output: Contribution to journalJournal articleResearchpeer-review

Harvard

Høffding, S, Vara Sanchez , C & Roald, T 2022, 'Being moved by art: A phenomenlogical and pragmatist dialogue', Estetika: The European Journal of Aesthetics, vol. 2, pp. 85-102. https://doi.org/10.33134/eeja.246

APA

Høffding, S., Vara Sanchez , C., & Roald, T. (2022). Being moved by art: A phenomenlogical and pragmatist dialogue. Estetika: The European Journal of Aesthetics, 2, 85-102. https://doi.org/10.33134/eeja.246

Vancouver

Høffding S, Vara Sanchez C, Roald T. Being moved by art: A phenomenlogical and pragmatist dialogue. Estetika: The European Journal of Aesthetics. 2022;2:85-102. https://doi.org/10.33134/eeja.246

Author

Høffding, Simon ; Vara Sanchez , Carlos ; Roald, Tone. / Being moved by art : A phenomenlogical and pragmatist dialogue. In: Estetika: The European Journal of Aesthetics. 2022 ; Vol. 2. pp. 85-102.

Bibtex

@article{03f407ac060040b9bdbb5bff56a94396,
title = "Being moved by art: A phenomenlogical and pragmatist dialogue",
abstract = "This article integrates John Dewey{\textquoteright}s Art as Experience, Mikel Dufrenne{\textquoteright}s Phenomenology of Aesthetic Experience, and phenomenological interviews with museum visitors to answer what it means to be {\textquoteleft}moved by art{\textquoteright}. The interviews point to intense affective and existential experiences, in which encounters with art can be genuinely transformative. We focus on Dufrenne{\textquoteright}s notion of {\textquoteleft}adherent reflection{\textquoteright} and Dewey{\textquoteright}s notions of {\textquoteleft}doing and undergoing{\textquoteright} to understand the intentional structure and dynamics of such experiences, concluding that being moved contains two merged forms of intentionality: one overt aspect of perceptual intentionality directed at the work, and a covert affective intentionality directed back at oneself in one{\textquoteright}s situated existence. These are operational simultaneously but can work in loops, one leading to an intensification of the other and vice versa. As such, these analyses emphasize the value of phenomenological interviews and advance the integration of phenomenological and pragmatist thinking in the context of aesthetic experience.",
keywords = "Faculty of Social Sciences, adherent reflection, affectivity, being moved, doing and underdoing, John Dewey, Mikel Dufrenne, pragmatism, phenomenological interview, phenomenology",
author = "Simon H{\o}ffding and {Vara Sanchez}, Carlos and Tone Roald",
year = "2022",
doi = "10.33134/eeja.246",
language = "English",
volume = "2",
pages = "85--102",
journal = "Estetika: The European Journal of Aesthetics",

}

RIS

TY - JOUR

T1 - Being moved by art

T2 - A phenomenlogical and pragmatist dialogue

AU - Høffding, Simon

AU - Vara Sanchez , Carlos

AU - Roald, Tone

PY - 2022

Y1 - 2022

N2 - This article integrates John Dewey’s Art as Experience, Mikel Dufrenne’s Phenomenology of Aesthetic Experience, and phenomenological interviews with museum visitors to answer what it means to be ‘moved by art’. The interviews point to intense affective and existential experiences, in which encounters with art can be genuinely transformative. We focus on Dufrenne’s notion of ‘adherent reflection’ and Dewey’s notions of ‘doing and undergoing’ to understand the intentional structure and dynamics of such experiences, concluding that being moved contains two merged forms of intentionality: one overt aspect of perceptual intentionality directed at the work, and a covert affective intentionality directed back at oneself in one’s situated existence. These are operational simultaneously but can work in loops, one leading to an intensification of the other and vice versa. As such, these analyses emphasize the value of phenomenological interviews and advance the integration of phenomenological and pragmatist thinking in the context of aesthetic experience.

AB - This article integrates John Dewey’s Art as Experience, Mikel Dufrenne’s Phenomenology of Aesthetic Experience, and phenomenological interviews with museum visitors to answer what it means to be ‘moved by art’. The interviews point to intense affective and existential experiences, in which encounters with art can be genuinely transformative. We focus on Dufrenne’s notion of ‘adherent reflection’ and Dewey’s notions of ‘doing and undergoing’ to understand the intentional structure and dynamics of such experiences, concluding that being moved contains two merged forms of intentionality: one overt aspect of perceptual intentionality directed at the work, and a covert affective intentionality directed back at oneself in one’s situated existence. These are operational simultaneously but can work in loops, one leading to an intensification of the other and vice versa. As such, these analyses emphasize the value of phenomenological interviews and advance the integration of phenomenological and pragmatist thinking in the context of aesthetic experience.

KW - Faculty of Social Sciences

KW - adherent reflection

KW - affectivity

KW - being moved

KW - doing and underdoing

KW - John Dewey

KW - Mikel Dufrenne

KW - pragmatism

KW - phenomenological interview

KW - phenomenology

U2 - 10.33134/eeja.246

DO - 10.33134/eeja.246

M3 - Journal article

VL - 2

SP - 85

EP - 102

JO - Estetika: The European Journal of Aesthetics

JF - Estetika: The European Journal of Aesthetics

ER -

ID: 279195972